South Kensington's Sticky-Fingered Season

I recall standing under that stupendous glass and iron with a monocle of impatience, watching humanity perform its usual trick of pretending civility while quietly inventing new ways to be cheated. The 1862 International Exhibition in South Kensington proved a marvellous case study in human ambition and human gullibility. It offered exotic textiles, mechanical oddities and crowds so dense that reticules and waistcoat pockets sang like ripe fruit to the practised hand.

The thieves were not boorish cutpurses. They were artisans of nimbleness. Teams moved like an orchestra. One man offered a dashing apology for stepping on a heel. Another produced a ravishing model steam engine from nowhere as diversion. A third, with the delicate economy of a skilled surgeon, relieved a gentleman of his watch. The papers loved the theatre. The police loved the arrests.

A figure appears to pickpocket in a crowded exhibition, depicted in soft blues and browns.

Reports of arrests read like a catalogue of minor humiliation. Gentlefolk discovered their chain gone, their coins absent, their pride thoroughly pinched. Detectives, bedecked in the respectable gloom of the new metropolitan force, set traps using decoys and plain clothes. The exhibition organisers installed extra watchful hands among the stewards. The result was a sniffing out of rings who treated pockets as if they were small museums to be purloined and studied.

There was a curious etiquette to the operation. The offenders dressed well. They mingled with the crowd, complimented a lady on her bonnet, murmured an aside to an old chap and vanished into the press like a modestly sinister conjuror. When caught they argued that the commotion had made them confused. Codswallop, said a magistrate who had once been jostled and therefore felt qualified to judge.

Reading the reports now, one feels odd admiration for the craft and ghastly sympathy for the victims. The exhibition endured. So did petty ingenuity. The moral half of this story is thin. The practical half is simple. Keep your hand where you can see it. And if you are offered to hold a pudding or a miniature model engine by a stranger who smiles like a retired actor, say oh bugger and walk on. Cheerio.

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